
Welcome, Log in
2011-RELEASES
2012-RELEASES
2010-RELEASES
GARAGE-PUNK-ROCK-FRANCAIS
DISQUAIRE DAY 2013
TWEE POP
FRENCH POPPIES
2013-RELEASES
DISQUAIRE DAY 2012
SPLIT-RELEASE
VA-COMPILATION
SARAH-RECORDS
SWEDISH-POP
GIRLS-POP
FOLK-SONGWRITING
FRENCH VARIETY
SOUNDTRACK
SWEDISH POP
SECOND-HANDS
SHOEGAZE
ELECTRO-POP-DANCE
ROCK'N ROLL
INDONESIAN-POP
PSYCHOBILLY
SKA-THEME
SIXTIES
TWEE-POP
IMPORT JAPONAIS
OFFERS-PACKAGE
INDONESIAN POP
INDIE-ROCK
PS Cumulus Flash tag cloud adapted from the Wordpress original by Roy Tanck requires Flash Player 9 or better. Ported by ecartservice.net.
Brooklyn’s Violens was formed in 2007 by Jorge Elbrecht (a producer, multi-instrumentalist and founding member of the art company Lansing-Dreiden). The band eludes classification, blending percussive guitar work and silky harmonies with a wash of ’90s sonic pop via artists like Pale Saints, Cocteau Twins and McCarthy. Their 2010 self-recorded debut album Amoral is best understood as digital collage; a dark, guitar-and-synth-pop voyage of melodic and rhythmic collision.
Violens’ sophomore effort True shifts course toward a more subtle and desaturated sonic landscape. The writing process began while traveling together on tour, and showcases a more collaborative effort. Band members Iddo Arad (backing vocals, synths, guitar) and Myles Matheny (backing vocals bass, guitar) had a much larger influence on the songwriting and the album’s sonic direction. Framed by Will Berman’s distinctive drumming, True shows the band interacting and reflecting in ways both promising and exciting.
The album’s first single, “Totally True,” sports a stone-washed, semi-improvised feel, celebrating bands like The Chameleons and Martin Newell’s Cleaners From Venus. Elsewhere, “Unfolding Black Wings” (the band’s aural approximation of a Goya etching) nods to Daydream Nation-era Sonic Youth and Thinking Fellers Union Local 282. While the song’s lyrics reflect upon a sort of unimaginable winged beast, the music conveys its attack with a forward-marching rhythm as unorthodox guitar tunings provide manic chord changes and blistering single-note melodies. “When to Let Go” delivers a classic mélange of guitar pop (not unlike Sonic Flower Groove-era Primal Scream) and ’60s harmony groups (Zombies, Beach Boys, The Millennium), while “Watch the Streams” features ’60s ghost organs and a Brill Building pop beat that coalesces with stacked vocal harmonies.
No customer comments for the moment.
Only registered users can post a new comment.
No products
Shipping
0,00 €
Total
0,00 €
PALE SPECTRES : 3"CD Helen Of Troy
AUTOUR DE LUCIE : Ta Lumiere Particuliere
LA FEMME : Sur La Planche
WHITE TOWN : She's A Lot Like You
LA FEMME : Telegraphe
ALINE : LP Regarde Le Ciel
NORTHERN PORTRAIT : 10"EP Pretty Decent Swimmers
BERURIER NOIR : LP Concerto Pour Détraqués
LYRES : Soapy
BRNS : LP Wounded
BB GUNS (the) : Baby, I Hate You EP
FABERGETTES (the) : Ding Dong
WOULD-BE-GOODS : The Camera Loves Me
JUNIPER MOON : 7" Basada En Heches Reales
BAND A PART : No Sé Por Qué